Modulations are widely used in creating musical works, and modern music is simply unthinkable without them. They give the work a certain charm, help ensure that the listener does not get bored, but monitors the further development of events.
The concept of musical modulations
Modulation in music is an example of how tonality in the same work changes. In this case, several of its varieties are allowed. So, in the same song written in one key, there may be an insertion of a small piece in another key. Or, a final transition from one key to another may occur. Modulation in music (examples on the guitar) can be clearly seen in the songs of the group "Aria", in particular in the composition "1100".
The use of modulation in music
Modulation techniques can be used to emphasize the brightness of the climax, as well as to give certain dynamics to the development of the entire work. Also, modulation in music is a peculiar way of creating an interesting song structure.
It should be noted that if modulation is used in the middle of a musical work, then it must be used very carefully so that the listener does not feel any discomfort during the process. Here it is advisable to use connecting elements designed to soften the transition from one tonality to another. Examples of such elements are chords and short losses.
Types of Modulations
Modulation in music, the definition of which was given above, can be achieved in several ways. When creating musical works, varieties of modulations such as rejection or transition can be applied.
The transition implies the final change of tonality to a new one. In this case, it occurs, as a rule, at the end of the period and is called modulating. In this case, a modulating ligament consisting of two chords: general and modulating is very important.
The practical application of modulations in music
Modulation in music is a peculiar technique that makes it possible to change the structure of already established musical matter. Modern music is characterized by such a feature that it can exist quite well without modulation. But rock music without this technique is almost unthinkable.
Modulation in music is one of the ways of revealing all the charms of the basic tonality, as well as a way of developing harmony within one holistic form. If the work is large, then it should not only be rhythmic and melodic, but also develop harmoniously. This is where modulation comes to the rescue.
Modulations take place only within the same topic. An important point in their application is that the deviation should be temporary and then the work should return to the main key.
Most often, modulation can be found, for example, in the introductory part, conclusion, and also directly in the connecting part of a musical work.
Modulation in music is that part which without fail changes the tonal center and can be made out by cadence turnover. At the same time, it is accompanied by changes in the signs of alteration with the key.
The attitude of musicians to modulation
The opinions of professional musicians about whether it is necessary to use modulation when creating modern music are very mixed. Representatives of the pop direction are convinced that you can completely create high-quality and interesting works without the use of modulations. But rock representatives, on the contrary, insist that modulation in music is just a necessity, a way to keep the listener in good shape.
There are many examples confirming the fact that musical modulations can sound qualitatively and organically in any musical direction. This does not make them less modern or unworthy of taking pride of place in the playlist.
Representatives of modern music are convinced that modulations are best used to give an exquisite and unusual sound to your work. However, they are not fixated on strict motion patterns, as it was before, and on the basis of the basic tonality. It can be said that modulation has somewhat lost one of its main properties.
The first to be remembered for the original and unusual application of modulations to the modern listener was The Beatles. In their works, one can quite clearly trace the properties characteristic of modulations, which subsequently ceased to be observed with all severity and obligatory use.
As for the future of musical modulations, there are quite considerable prospects in their application. The fact that they will completely disappear from use does not seem real. After all, even pop music, which continues to claim that it is possible to develop without changing the tonality in the work, still resorts to the active use of this technique to give contrasts and colors to the composition.