The canvas is unusual and touching. This is especially clearly felt if you know what his young artist created, who had only a little time to live ... So, we begin the description of Vasilyev’s painting “Wet Meadow”.
History of creation
It all started with an illness. In 1870, the artist Fyodor Vasiliev caught a cold, and the doctors put him in a terrible diagnosis at that time - "tuberculosis". He urgently needs to go to the Crimea, away from the destructive northern climate. However, the peninsula is not impressive for the artist, and Crimean landscapes are not working out well for him. Too much the creator misses the abandoned landscapes ... And so it occurred to him to capture them literally from memory. Based on several sketches, he creates a full-fledged masterpiece.
The plot and composition
A detailed analysis of the depicted is the first point that should affect the description of Vasilyev’s painting “Wet Meadow”. Grade 8 already requires a great depth of aesthetic taste and artistic flair. So, on the canvas we see a meadow sprinkled with rain. Above the sparse northern vegetation - several trees located in the background - there is a thunderous, one might even say, "boiling" sky. The peak of the thunderstorm is apparently already behind, but the rain has not yet ended.
The canvas will not touch our attention with bright colors or large-scale events depicted. But it is worth taking a closer look - and we will understand that the work is brilliant with its detail, its special dynamics. This should also take into account the description of the painting “Wet meadow” by Vasiliev. In fact, everything depicted is a continuous struggle of the elements. This is especially evident in the sky, which occupies a significant part of the canvas.
Description of Vasilyev’s painting “Wet Meadow” should also relate to its construction. The compositional center of the canvas is concentrated on two trees, the image depicts with invisible strings - a slope, golden dots. The shift to the right of the center of the canvas is not accidental: it gives the canvas naturalness, and also visually increases the space. The latter allowed the artist to accommodate an impressive landscape with its all-encompassing nature: there is a spread meadow and just an endless sky. This also needs to be taken into account when creating a description of the painting “A. Wet meadow” by F. A. Vasiliev.

The heavenly surface is divided into two halves, and the border separating them is visible quite clearly. The first is already in the power of the sun, and the second - dark, almost black - still contains clouds. Soon they will sail further, bringing rain to a forest that can be seen in the distance. Two sides of the sky are mirrored in the water - both dark and light. All this holds the picture together, does not allow the image depicted to separate, unconnected details. You come to this conclusion approximately if you try to make a description of Vasilyev’s painting “Wet Meadow”.
Main thought
However, any talented canvas, in addition to the external, fine side, also has an internal one. In other words, the question always remains: what did the creator want to tell the public? In this case, the artist’s landscape conveys the unpredictability of nature, the struggle in it of two elements, two principles - light and dark, calm, serene and worrying, rebellious, thunderous. This gives the canvas extreme realism; it seems a little more - and you will smell ozone, a little coolness that always comes after rain, or a touch of drops. Such an idea needs to complete the description of Vasilyev’s painting “Wet Meadow”.
Other facts
But this is not the end. Contemporaries of the creator praised this work and even awarded him second place at the exhibition held by the Society for the Promotion of Artists. By the way, the creation of Shishkin won then, but this is not so important. What is more important is that society saw in Fedor Aleksandrovich a rare talent capable of creating true masterpieces (our description of Vasilyev’s painting “Wet Meadow” proves this idea).
For some time, the canvas was kept by a close friend of the artist, Kramskoy. Then Prince Nikolai Konstantinovich wanted to get the picture, but Pavel Tretyakov was ahead of him . It is there, in the Tretyakov Gallery, and the picture is to this day. As for Fyodor Vasilyev, he only had a year left after creating his northern masterpiece. The artist worked on the works long and hard, completely exhausting himself. Naturally, this did not contribute to recovery, and by the end of September 1873, Vasiliev went to another world.