Mankind has long known such a phenomenon as the golden ratio in architecture. His secret was interesting to Euclid, Plato, Leonardo da Vinci, Kepler, as well as many other major thinkers. They inextricably linked this concept with the concept of universal harmony that permeates the universe.
The classic manifestations of this phenomenon are household items, architecture, sculpture, music, mathematics and aesthetics. In the last century, with the expansion of the field of human knowledge, the number of spheres where there is a golden ratio phenomenon has sharply increased. These are zoology, biology, economics, cybernetics, psychology, astronomy, geology and the theory of complex systems.
The golden ratio is understood as such a proportion to which in ancient times magicians attributed unusual properties. If we divide the object into two unequal parts in such a way that the ratio of the smaller to the larger is the same as the ratio of the larger to the whole object, then we get the golden ratio in the architecture.
This ratio can be simplified as two to three or three to five. It has long been found that people containing a golden section are perceived as the most harmonious, that is, beautiful and pleasing to the eye.
The golden ratio in architecture has been noticed a long time ago. You can specify objects such as the Egyptian pyramids, as well as many works of art - sculptures, paintings and movies. For most artists, using the golden ratio is intuitive. However, some did this consciously.
There are notes in books about this phenomenon that, in terms of architecture, it all depends on what position the observer is in, therefore, if some proportions of a building from one angle seem to form a golden ratio, while on the other hand they may look completely otherwise.
Thanks to the golden ratio, it turns out to make the most harmonious ratio of sizes and lengths. You can give an example from ancient architecture, demonstrating the golden ratio - the Pantheon. The Noterdam de Paris Cathedral also has a golden section in architecture.
Such a well-known architect as M. Kazakov skillfully used it in his own work. With the versatility of his talent, he revealed himself in numerous projects of estates and residential buildings. In the architecture of the Kremlin Senate, you can find the golden ratio. One of the most perfect architectural objects is the Pashkov house in Moscow. Created by V. Bazhenov.
For quite a long time, the shape of the tetrahedral pyramid serves as an object of reflection for inquisitive minds. The pyramid in the zone of its influence indirectly or directly corrects the spatial structure, bringing it closer to a harmonious state.
All that is or falls into this space begins its development in a harmonious direction. The dynamics of eliminating or mitigating all negative manifestations strongly depends on the size of the pyramid, compliance with all geometric ratios and spatial orientation. When its height doubles, the active effect becomes more than a hundred times stronger.
Many people tried to unravel the secrets of the pyramid located in Giza. It differs from other Egyptian pyramids in that it is not a tomb, but an insoluble puzzle of combinations of numbers.
The golden ratio in painting has been used as long as in architecture. A lot of books are published annually on the application of these principles in various fields of life. The authors of such studies combine the golden ratio with concepts such as asymmetry, beauty, self-organization, recursion and proportions. Recently, there have been many sites devoted to such a topic as the golden ratio in design.
This question is so important that many researchers and authors still dedicate it to it.