Computer stereos are increasingly converging with acoustics like Hi-Fi. There is an opinion that the basic characteristics for this equipment are not as important as for systems designed for music lovers. But it is not so. Another thing is that the sound picture parameters can be oriented to other register requirements. At the same time, other aspects of assessing the quality of a particular system are traditionally preserved, among which are communication equipment with designer design. In this sense, Edifier S2000 PRO clearly builds on the given modern fashion, offering users an original acoustic solution.
System Overview
The technique can be attributed to the image class, because it combines a number of modern audio solutions, thoughtful interface design and high-quality manufacturing materials. The system is formed by two passive columns, which are enclosed in enclosures of E0 class chipboard material. The serious intentions of the developers in the context of the release of this model are also evidenced by the presence in the kit of single-channel amplifiers from the renowned manufacturer National Semiconductor. The system is supplemented by a powerful toroidal transformer, characterized by a narrower shape. This component provides a bipolar power supply of 23 V with a current strength of 2.4 A. There are different versions of acoustics, the last of which is Edifier 2.0 S2000 in the Mkii modification, which, however, differs only in the external design.
Specifications
It has already been noted that this acoustics belongs to a segment for which representatives the sound requirements are not as high as to other operational aspects. For example, communication capabilities, implementation of the interface come to the fore, and not so important, but still the overall design performance is taken into account. For all these parameters, it may not be the leader in its class, but the Edifier 2.0 S2000 equipment stands out sharply, the characteristics of which are presented below:
- Output power - 2 columns of 40 watts each.
- Resistance index - the total input is 20 kOhm, and on the speakers - 6 ohms.
- The sensitivity level of the acoustic speakers is 450 mV.
- Weight - 15 kg.
- The frequency spectrum is from 48 Hz to 20 kHz.
- The signal-to-noise ratio is 90 dB.
- The sampling rate is 24 bits.
- Crossover slice - frequency 3 kHz.
- Energy consumption - 150 watts.
From the point of view of everyday undemanding to draw the sound of operation in the complex of a computer system, the model looks quite worthy. But it is important to understand that much in the working ability will depend on the connection method. The fact is that many users point to the modesty of implementing interfaces in the form of a 2xRCA audio input, a coaxial connector and an optical port with 23V transformer support - indeed, amid the development of digital acoustics, developers demonstrate not the most advanced features of Edifier S2000. A description of the configuration will help to create a more detailed idea of what the company offers in this regard.
Equipment
To implement the connection, the manufacturer has provided coaxial and optical cable as the basic connection channels. But the creators paid special attention to the means of eliminating interference. This is a factor that still does not allow, in principle, to consider an analog system as something completely inappropriate to modern standards. To protect against interference and interference, the kit has been expanded with RCA signal cables, which differ in gold connectors. In addition, the Edifier S2000 contains an acoustic 2 mm wire with a solid screen in the package. Unlike most manufacturers, almost all components are manufactured by Edifier itself. And these are not universal elements, but purposeful developments specifically for this version. But it is worth mentioning the most striking part from a third-party manufacturer - these are amplifiers, which, however, demonstrate very decent work, so this departure from the principles of using branded components justifies itself.
Management tools
If the interfaces are made with emphasis on the classic analog circuit, then the developers approached the management not so conservatively. First of all, a very ergonomic remote control is provided, in which all the control tools presented on the external panel are duplicated. True, the remote control can not adjust the tone. It is worth noting an unusual design decision. The fact is that each button on the remote control designers implemented in the form of small individual buttons. According to experts, this decision was caused not so much by design interests as by the desire to extend the working life of short-lived controls. Noteworthy is another solution in the Edifier S2000, which deals with volume control. In the process of tuning, a special handle on the block also begins to rotate with a little inertia after stopping.
Production Materials and Design Features
The design of the speakers is perhaps the main feature of the acoustics of this model, distinguishing it from competitors. The base of the case is made of fiberboard, and the acoustic design used a circuit with a bass reflex - a special hole was made for it in the front panel. At the bottom of the case there are legs. In conjunction with the diffuser, a suspension made on the basis of rubber was provided, which made it pleasant to the touch. The function of twitter is performed by a domed tissue tweeter with a diameter of 27 mm. Dynamic heads can only be connected through a crossover. Inside the case, all the main elements that carry the signal from the interface connectors are securely fixed. By the way, the connectors are implemented with screw terminals designed for bare wires. The wire lines themselves have different colors for easy handling. It has already been said that the new modification of the Edifier S2000 Mkii has several design differences. So, if the versions from 2005 are presented in cases of a classical form factor and with a typical finish, then the exterior design of Mkii is distinguished by a piano lacquer covering high-quality MDF.
Sound quality
In general, the sound quality is decent, especially when compared with the general level in this class. Acoustics demonstrates the best result of playing in the middle and higher spectra. In these areas, processing detail and purity are manifested. However, at medium frequencies, one nuance in the form of a compressor shade can be detected. But its value cannot be called unambiguously negative. For example, in columns with a mid-range midrange speaker, it does not at all have a negative effect. In general, this is a feature of the class of speaker systems, so it should be taken for granted. Moreover, the lower spectrum can no longer be justified by class characteristics. It clearly disappears, and sometimes it is difficult to make out some shades. The most offensive is that even the low-frequency regulator does not correct this situation. Perhaps this is the only and most significant drawback of the Edifier S2000. The review of reviews, which is presented below, will help determine the other qualities of this model.
Positive reviews
Users of the system speak eloquently about its immediate qualities of playing, about the appearance, decent finish and ergonomic nuances of operation. Most users do not even notice the drawback in the form of blockages at lower frequencies, which, again, is explained by the specific class of this model. But the external advantages of the equipment are obvious. The original lacquer finish with an analog interface determines the rather high ratings that Edifier 2.0 S2000 speakers get. The powerful performance characteristics that make up the 2 x 40 W circuit are also appreciated by bass lovers. By the way, many emphasize the versatility of technology in terms of “omnivorous” compositions.
Negative reviews
This is the case when flaws can easily be considered as advantages. The desire for an emphasized classical style determined the orientation of the system to the analog connection principle. The connectors that are integrated into this complex today can not even be found in some respectable models of the same class. Of course, the Edifier S2000 is criticized not for analogy, but for the lack of extensive digital communication. Digital channels are also provided, but it is obvious that they play the role of auxiliary connectors from the category "just in case". But, again, this decision suits many, which cannot be said about the price tag.
Price issue
To begin with, it is worth noting that the price range of models in this segment starts from 10-11 thousand rubles. Against the background of the traditional acoustic concept, this amount seems excessively high, since manufacturers in this category do not guarantee any frills in terms of sound. But the situation with the Edifier S2000 model is somewhat different, the prices for which vary in the corridor of 17-18 thousand. The system is not cheap, but in some respects this investment justifies itself due to the balance of performance.
Revision options
According to experienced audiophiles who have the practice of finalizing such systems, the very possibility of home-based modernization of the complex is a big plus. In this case, both filters can be revised. Condensers can be redone by soldering, using also wrench switches. As practice shows, adding capacitance to the capacitors of the Edifier S2000 speaker significantly changes the nature of the sound. So, changing the capacitance from 6.6 to 8.6 microfarads can provide more transparency, as a result of which the sounds will begin to be revealed separately, and not in a single stream. By the way, such a revision may well slightly fix the situation with a low register.
Conclusion
The model has many advantages associated with sound quality, and with the interface, as well as with the design performance. The only question is whether this complex justifies itself, taking into account the price tag of 17 thousand. The fact is that for a smaller amount you can buy a typical multiband, which in terms of sound quality will fully correspond to the same indicators. Therefore, Edifier S2000 is not in vain positioned precisely as an image model for users who pay attention not only to sound, but also to style.
The presence of analog interfaces in acoustics, which can also be called rather stylistic solutions, is also interesting. Although they have an impact on the broadcast signal - both positive and negative. Overloading with high-tech options and wireless communication means, of course, would disrupt the organics of this acoustics, so the manufacturer’s decision is understandable. Following the idea of maintaining the traditional interface does not affect the usability of the user. This is evidenced by the well-developed principle of controlling the system through the remote control, which received several ergonomic innovations. The introduction of the Bluetooth module can also be attributed to technological modern solutions, but you should not count on the full operation of the system through this channel.