Groove in music is a rhythmic sensation (“swing”) that is created by a special game of drummers, keyboardists and guitarists. This phenomenon can be found in popular music. Speaking of what groove is, we note that this style has proved itself in soul, fusion, funk, rock and salsa. Musicologists and other scientists began to analyze this phenomenon in the nineties of the twentieth century. The word is often used to describe music, the sound of which you want to dance and move. Researchers argue that groove is an “intuitive feeling” or “rhythmic layer”. This is a feeling of looped movement that occurs during the sounding of rhythms acting together and carefully measured. For listeners, this phenomenon causes a desire for easy drowning.
Prospects
To understand what groove is, you should know that this term, like “swing”, is used to describe a cohesive rhythm of sensation within a jazz context. For this reason, in some dictionaries the named concepts are given as synonyms. If you look at the translation, groove is a “gutter”. In addition, groove means notch.
Mark Sabatello notes that groove is a subjective concept, implying a difference in the assessment by different listeners of one drummer. According to bass teacher Viktor Wooten, this feeling is elusive, but thanks to him, the music becomes breathing, a moving background appears in the composition.
Theoretical analysis
Trying to describe what groove is, a musicologist from England Richard Middleton noted that the concept of this direction for musicians has long been familiar. However, analysts have only recently embarked on a detailed study of it.
According to Middleton, groove music style is an understanding of rhythmic patterns to create a special “feeling” in the composition. In this case, the feeling of a repeating design may change with variations.
Funk and soul
Groove is often associated with funk performers, including James Brown drummers: Jabo Starks and Clyde Stubblefield. This phenomenon is intertwined with soul music.
In other genres
Finally, speaking about what groove is, one should not forget that along with swing it can be found in the African-American genre known as hip-hop. Jazz musicians call rhythmic groove a feeling of swing. Like jazz, the concept of swing involves the presence of performers who consciously play a little bit in front or behind the beat.
The concept of flow requires execution with its own sense of the pulse of music and rhythm. Flow was not invented to demonstrate the “what” is said, but rather it shows the “how” exactly this is done. In some traditional areas of jazz, musicians use the word “swing” to describe their sense of rhythmic cohesion.
Since the fiftieth year, musicians of several jazz styles have begun to use the term “groove”. Flutist Herbie Mann became interested in groove. In the sixties, he took up his Brazilian offshoot. He later headed to soul full and funk. In the mid-seventies, this man created disco hits, which were based on rhythmic groove.
Mann compared this phenomenon to a wave that needs to be caught. In Jamaican reggae, dub music, and dancehall, the Creole term riddim is used to refer to rhythmic patterns created by a protruding bass or drum background. In other musical contexts, a similar phenomenon is called beat or groove.
"Reedim" Ril Rock of "Sound Dimension" was among the most widely copied. This music was built around a decisive bass line, accompanied by a quick change of light notes. Hypnotically, the scheme could be repeated again. The sound was so powerful that it spawned two new styles: slave and dub. They belong to reggae, but are designed for slow dancing.
In the nineties, the term “groove” began to be used to describe the subgenre of thrash metal. This direction is based on the use of mid-tempo thrash riffs with syncops. Phil Anselmo, Pantera groove metal vocalist, said speed is not the point. Riffs in this style are heavier, but there is no need to use distorted and low-tuned guitars.
In drums, attention is mainly focused on wave-shaped cardan shuffles. In other metal genres, it is aimed at high-speed games. Sometimes changes in pace and polyrhythms turn into a hallmark of the group.