Everything is unique in Glass - voice, name, appearance, temperament. It seems that any stage role is available to her - from the heroine to a kind of ostentatious "thing", whose image remains in her memory for a long time. Agrippina Steklova is a magnificent theater actress. Generously fell from her bright talent and domestic cinema.
Little fairy
The actress was born on February 15, 1973 in Krasnodar, but her infant years passed in the charming old city of Kineshma. Parents - young actors Vladimir Steklov and Lyudmila Moschenskaya - served in the local theater. The girl was born to them extraordinary - red, healthy, white-skinned. Little Agrippina Steklova grew up in an atmosphere of boundless tenderness and endless love. She is surrounded by love to this day.
Backstage childhood
A child from an actor’s family (not only her mother and dad, but also Moschensky’s grandfather and grandfather were famous provincial actors) knew the unique world of the theater from early childhood. Parents often took their daughter with them to rehearsals and performances. She often fell asleep, curled up in a red ball in a soft theater chair. When Grania became older, the family had already moved to Petropavlovsk-Kamchatsky.
Did she dream of a stage? I think no. But the stage gift could be seen in it back in those distant times, when, having remained at home alone, the girl woefully and expressively wailed from the closed door for her neighbors: “Oh, good people, parents are not good-for-nothing children, oh help!” And later - when Agrippina Steklova appeared on the stage of the theater in Petropavlovsk-Kamchatsky, if the play required the participation of children. After a tour of the Far Eastern Theater in Moscow, Agrippina's father, Vladimir Steklov, was offered to play in the capital, and the family moved to white stone. On the Moscow stage, the eleven-year-old Grania lived with enthusiasm into the images of the daughters of the main characters. Her stage "fathers" were Sergey Shakurov and then very young Sergei Koltakov. And at home, the future star was carefully and strictly raised by Vladimir Aleksandrovich, who was gaining fame.
Theater star
And yet, after graduation, Agrippina was still wondering where to go. She could become a student of the philological faculty of Moscow State University, but the genes took their toll. Grania submitted documents to the theater.
She managed to enter only in the second year, but she got on the course of Mark Zakharov in GITIS. In 1996, the now professional actress Agrippina Steklova entered the Satyricon Theater. One of the first works - the role of Donna Lieber in the sparkling play by Carlo Goldoni “Chioggian Quarrels” - showed that the young actress is seething with a whole sea of talent and there is a distinct comedic gift. This image was followed by others, no less temperamental. The artist’s creative gallery has images of both prostitutes (the play The Three-Penny Opera) and the Queen (Richard III). In the play "Macbeth" (interpretation of Shakespeare's play by Eugene Ionesco), Steklova played two roles at the same time - Lady Macbett and the Witches.
The actress is eagerly invited by other theaters and enterprises. Today Agrippina Steklova successfully combines work at the Satyricon, at the Malaya Bronnaya Theater and at the Theater named after Ermolova.
One of the last serious works is the role of Catherine in the production of Pavel Safonov's “Valentine's Day” (stage set “Another Theater”). The creative obsession that Agrippina inherited from her father is more than enough for a movie job.
Film career
The actress’s cinematic debut was the role of Antonina in the children's film “Tranti-Vanti”. Steklova then walked for the seventeenth year, and she recalls this work as entertainment.
The actress considers her battle baptism shooting in the film by Nikolai Dostal, “The Little Devil.” In general, the filmography of Agrippina Steklova is more than thirty roles. It has expressive episodic characters and major roles.
In the film “Men's Work”, she creates the image of the beekeeper’s wife, Lena, in the series “Law” she appears as mother Agrippina, in the film “Personal Life of Dr. Selivanova,” she plays the role of Tatyana, girlfriend of the main character, gynecologist Elena. In the drama Koktebel, she herself is a village doctor. One of his successful roles, Steklov considers the image of Panki, the sister-in-law of the protagonist in the historical drama "Once upon a time there was a woman." Recently, Agrippina Steklova’s filmography was replenished with a short, but spectacular role of the head teacher Roza Borisovna in the sensational film adaptation of Alexei Ivanov’s novel “The Geographer drank the globe.” Viewers of the STS channel saw the actress in the lead role - the cook of Nadezhda - in the apocalyptic series "The Ship". One of the most recent works is the role in the series Mom by Contract.
Popular recognition
It can not be said that the merits of the actress were not marked by high awards. In 2008, Steklova Agrippina Vladimirovna was awarded the title of Honored Artist of Russia.
For the brilliantly performed role of Regan in the Shakespearean King Lear, the actress was awarded the Seagull Prize. For the best supporting role, Agrippina received the Theatrical Star Award (the role of Dorina in the play Tartuffe at the Malaya Bronnaya Theater).
Native people
Is the famous Agrippina Steklova happy in her personal life? The photo, which captures family chronicles, represents kind, smiling people who are very happy to be next to each other. Agrippina met her beloved spouse Vladimir Bolshov at Satyricon. She already had a son Danil from his first marriage. The boy was born when a young mother was a second year student. Bolshov brought his little daughter Mashenka to his new family. Thanks to the love and wisdom of their parents, stepbrothers and sisters have grown like relatives. Danil became an actor of the Moscow Art Theater, Masha studies at GITIS.
The actress's best friend and adviser is still her father. Agrippina maintains warm relations with his new family, spoils her half-sister Glafira, who was born in her father’s new marriage, and speaks very gently of her mother Lyudmila Mikhailovna (parents divorced when Agrippina was seventeen).
In general, the passions in the family, if they are seething, are not at all Shakespearean: here everyone loves, understands and accepts each other.