Julia Rutberg is an actress not only of Russian, but also of the Soviet school. If we distract from sad thoughts about the fleetingness of time, then for a modern artist this is the best recommendation. Having become the owner of many very prestigious prizes awarded for achievements in the field of art, awarded the Order of Glory to the Nation, Julia Ilinichna is in demand, recognizable, loved and respected today.
Hereditary love of art
The family in which Julia Rutberg was born traditionally serves art, at least three of its generations. Father, Ilya Grigoryevich, was the head of the country's unique, only pantomime department; he founded the Our Home Theater, his mother, a graduate of the Institute named after Gnesins, Irina Nikolaevna Suvorova, taught at a music school. Grandfather and grandmother danced at the "Island of Dance" theater (in the 1930-1940s - the NKVD ensemble).
The house was often visited by famous artists, whom ordinary citizens could see only on the stage or on a television screen. Julia called “celebrities” in her childhood artists-celebrities - Semyon Faradu, Alexander Filippenko, Gennady Khazanov and many other “celestials”.
Theater and life
Of course, artistic genes appeared in school. The girl, in addition to school, learned to play the piano. Having received a certificate, she passed a competition at GITIS, but two years later decided to continue her education at the Shchukin school.
After graduating from the Higher Theater School in 1988, Julia Rutberg entered the troupe of the Vakhtangov Theater. The first success came when the play “Zoykina Apartment” was staged, in which she made her debut in the title role.
Since the beginning of the nineties, the well-established actress began to be invited to other famous theaters. She played Arkadina in The Seagull by Andrei Zholdak (State Theater of Nations), Anna Andreevna in Khlestakov by Vladimir Mirzoyev (Stanislavsky Theater), and Mikhail Kozakov , who was then back from Israel, wanted to see her in his Strinberg Blues experimental project.
Directing
In the last decade, actress Julia Rutberg tried her hand at directing, creating the program “All This Jazz”, stylized as a fantastic cabaret, in which she conducts a dialogue with the audience, while talking with famous artists separated from us in time and space. This live communication in which Charlie Chaplin, Lisa Minnelli, Edith Piaf and Michael Jackson take part, as well as everyone who came to the play, became a notable event in the theatrical life of the capital.
Movie
In our century, real popularity comes to those artists who act in films a lot. Julia Rutberg also understood this. Her biography as a film actress began when she was only sixteen, though this experience can be considered symbolic, she did not have to play a role as such, she starred in the crowd. In “The Rouen maiden nicknamed Pyshka” (1989), the musical staged by Eugene Ginsburg had to work seriously, the partners in the shooting were Armen Dzhigarkhanyan, Nikolai Lavrov, Alexander Abdulov, Leonid Yarmolnik and Valentina Talyzina, which, of course, obliged a lot.
A year later, work began on the film adaptation of the dramatic novel "The Funeral of Stalin" by Evgeny Yevtushenko, and Yulia Rutberg was invited to a prominent, though not the main role. In "Makarov" Elena Mayorova and Sergey Makovetsky were in the foreground, but she was offered, albeit a short, but very important episode.
1999 was marked by participation in the filming of the films “Tango over the Catcher-2” (female investigator Vera) and “Check” (one of the first Russian thrillers).
Domestic cinema was enriched with fifty films in which Julia Rutberg was shot. In all cases, without exception, she decorated them with her game.
TV show
The fashion for the series, which arose at the beginning of this century, only increased the demand for such a talented actress as Julia Rutberg. Films with her participation became events in the cinema, and the images created by her were adorned by interesting multi-series, such as “Empire under attack” (Wife Azef, Love) and “Kamenskaya”.
True popular love came after the series “Plot” (2003), which was watched by the whole country and the so-called “near abroad,” which preserved the unity of cultural perception with Russia. Yulia Rutberg told after that she herself came up with the fate of her heroine, an intelligent city dweller who came to the village after marriage. The desire to delve into the character’s motivation and way of thinking is generally characteristic of this talented actress.
A year later, there was an interesting role in the film "Farewell, Dr. Freud", which highlights the problem of mutual misunderstanding of parents and children during the period of growing up.
Television series "Doctor Tyrsa", "Saboteur. The end of the war ”,“ Do not Be Born Beautiful ”and other films showed Rutberg’s ability to cope with complex staging tasks, introducing a fair share of his own inborn humor into their implementation.
When the actress is not visible
And there was also work behind the scenes. Sounding of journalistic and documentary films, cartoon characters also requires artistry. Listeners recognize the voice of this actress, even if she herself is not visible, for example, during radio broadcasts. Her work with the wonderful TV channel “Culture” deserves special warm words, with which Julia Rutberg fruitfully collaborates.
Personal life, children and husbands
It so happened that the actress had three marriages. The famous musician Alexei Kortnev spent almost a decade with her husband. Nevertheless, he did not consider this marriage to be serious. After parting with him, Julia began a relationship with Alexander Kuznetsov, who had a reputation at the Shchukinsky School as a record of Casanova. The wedding was "walked" in the "Yar", there were many guests, including fellow students. Hopes that after a solemn marriage the young husband will die his romantic fervor, did not materialize. Even the birth of a son and transcendental tolerance for his repeated intrigues by the spouse did not affect the situation. One fine day, Alexander announced his intention to emigrate to the United States, knowing for sure that Julia would not want to follow him. The breakup was hard.
Lobotsky
Anatoly Lobotsky appeared very on time, given the depression in which Julia Rutberg was. Her personal life was complicated by the illness of her father, whom she always regarded as the ideal of a man. Money was required, and considerable, so the actress took up any work, spending in the parental home almost everything remaining after filming, tours, creative evenings and an entrepreneurial time. Lobotsky was not enthusiastic about this image of family relations, but he treated the situation adequately and with understanding. Meanwhile, reports stubbornly circulating in the press based on rumors of an imminent divorce. In addition, Rutberg came up with the idea to build his house in Chekhov, which was to play the role of a “nest” that fastens marital relations, which, of course, did not add leisure.
Lobotsky, for all his virtues, lived a difficult life before he met Julia Rutberg. His biography was complicated, he has a son from his first marriage, Stanislav (born in 1979), and has many novels behind him. He repeatedly left, declaring publicly about his freedom, but just as often returned. It remains only to be surprised at the patience with which the actress continues to wait for her beloved man. The family of Julia Rutberg split up twice, but for the third time she, apparently, intends to fight.
The actress is a believer. She professes Orthodoxy. Julia Rutberg accepted the baptismal rite at a conscious and mature age.