In 1984 , a wonderful film was released on the screens of then - Soviet cinemas - a tale by Takhir Sabirov " And Another Night of Scheherazade ." Along with the enthusiasm for the brilliant Scheherazade ( Elena Tonut ), both the boys and the girls immediately fell madly in love with the most tender beauty Malika , whose role was played by the young actress Larisa Belogurova . In the biography of the artist, this was far from the first cinematic experience .
Childhood and youth
The future star was born on October 4 , 1960 in a city located on the banks of the great Russian Volga River , then called Stalingrad . Vocal and choreography lessons , professional classes from the very young age of rhythmic gymnastics formed a talented and charming girl , whom it was simply a sin not to try to realize the dream of many girls to become an actress .
Start
After completing choreography training in a specialized studio open at the Leningrad Music Hall , solo performances in the Music Hall itself can be considered the first step in Larisa Belogurova’s creative biography . There was an experience of stage work even in Friedrichstadtpalast . And then you can remember about the first steps in the Mossovet Theater in the famous production of " Infanta " and successfully completed his studies at GITIS .
Later, fate will bring her with one of the most famous theater directors Anatoly Vasiliev , under whose guidance she will finish the director's course , recruited at the School of Dramatic Art . Vasilyev will later call her one of the most beloved students .
Movie
A cinematic biography of Larisa Belogurova will begin in 1981 with a debut with director S. Gasparova in the action movie " The Sixth ", where the girl will play the role of Olga , brought up by Danilevsky .
And then there will be a tremulous image of Stella with I. Frida in his "
Free Wind ",
based on the operetta Isaac Dunaevsky , the
first main role in the biography of Larisa Belogurova .
A photo of the young actress appeared on posters along with the already well- known Tat
Yana Dogileva . And the audience began to show interest in the biography and personal life of actress Larisa Belogurova.
Then the chain went the roles of Rudda ("
Calmness is canceled "), the
eastern beauties of Amina ("
The Adventures of Little Flour ")
and Malika ("
And another night of Scheherazade ...").
The most striking impression is the impression of the dramatic image of the girl Ulfat , who was
forced by parental order to connect her life with the unloved person in the picture E. Ishmukhamedova "
Farewell to the
green of summer ...".
In all published variations of the biography of Larisa Belogurova, her words are cited about her significance , which made it possible to understand that for herself, for the first time , this embodiment itself became a “ conscious ” film work .
1986 will be remembered by Larisa for her next major role in a dramatic and
musical film with a social subtext .
Fedosova "
Was not there ."
A couple of years later, Mary will be in the "
Departed "
V. Ruby .
And when working with Konstantin Raikin in a fantasy- filled buffoonery pierced by music called “
Island of the Dead Ship ”,
Larisa will remember her choreographic skills ,
demonstrating the most technically magnificent dances .
Both of them were upset that they began to work directly face to face only at the end of the filming process . Authors of the picture E. Ginzburg with R. The Mamedovs were given the actors full scope for creativity and filmed , filmed , filmed ... They filmed everything , even rehearsals . And on the screens to the viewer came a complete and unforgettable plastic improvisation .
In the late 80s , when one of the fashionable trends in art was the debunking of myths of the Soviet era , the famous Yu . Kara shot " Feast of Belshazzar, or Night with Stalin ", where the beauty was offered the image of Nina Beria , with whom she successfully coped .
The film " Broken Light ", shot then by the novice director B. Glagoleva , despite the fairly stellar composition , did not reach the mass audience . But those who saw him were certainly impressed by the Belogurov Galka .
Film career completion
Brilliant comedy - detective " Genius " V. Sergeeva , released in 1991 with A. Abdulov, presented Belogurova , probably , her role most famous for the wide audience - a charming lover of the most charming swindler with technical talents of Sergey Nenashev .
The last work in her film biography, Larisa Belogurova considered the embodiment of the image of Mamlakat in the melodramatic " Oriental novel " by V. Titova . After the 92nd year , there were no more films . The time of trouble for the sad nineties of the late XX century became the reason for the lack of demand for the talented artist .
Gangster series began to enjoy popularity and gradually actors of a new formation came to the screen space . An echo of past fame was an invitation to sample in the " Balzac Age " D. Fix , but the role of one of the bosom friends of the heroine took Lada Dance .
Larisa Belogurova. Personal life. Biography after the movie
The main source of very little income for the actress suddenly turned out to be a job in a company specializing in the sale of kitchen equipment . I liked the work . Belogurova did not strive for publicity at all , so her disappearance from the creative horizon generated various rumors .
The last outburst of the former profession was the audio recording of the Notes of Abbess Taisiya , read by Belogurova . Larisa was already seriously ill : oncology was discovered back in 2002 , but thanks to the treatment, it seemed that the disease was defeated . In fact , she just retreated .
Larisa tried to hide from this topic , avoided examinations and did not want to hear anything about her illness . In the posthumous biography of Larisa Belogurova , whose personal life after leaving the screens was kept in deep secret , her husband V. Circov noted that he desperately insisted that his wife go to the hospital , take some measures , but to no avail .
The death of Larisa Belogurova
The actress died on January 20 , 2015 at home , in Moscow , in her own bed . Since she did not have children , only her husband was nearby . And a reproduction of Kramsky's “ Unknown ”, which she always loved to watch . Larisa Belogurova was buried in her small homeland , in Volgograd . Money for the funeral was given by the company where the girl " Genius " worked in recent years . From the theatrical public , only director A came to say goodbye . Vasiliev .