“The War Does Not Have a Female Face” is an essay. School essays on the theme of World War II

The war does not have a female face ... High school students write an essay on this subject, not realizing how much cruel truth is in this phrase. Men came up with a war. But fomenting it, they could not save their wives, daughters, mothers ... It was, is, and, alas, will be. The article is devoted to the most disharmonious and unnatural picture in the history of mankind - a woman in war.

The most brutal war

The Great Patriotic War is the worst war of the 20th century. Over the years, a woman has learned to kill. She destroyed the enemy who, with unprecedented cruelty, fell upon her house. She blew up bridges, bombed and went into reconnaissance. She had no other choice.

Lyudmila Pavlichenko - Hero of the Great Patriotic War

An essay on a military theme can be devoted both to an individual person and to a collective image. In domestic history there are many examples of female heroism. One of them is the image of Lyudmila Pavlichenko.

Expanding the theme: "Woman in War", the work, no doubt, can be devoted to this extraordinary figure. The best female sniper in the history of the Soviet Union had three hundred deadly hits on its account. Her heroism was admired, a sniper rifle was named in her honor. Pavlichenko devoted songs, documentaries and feature films. Once, in 1942, at a meeting with American journalists, she uttered a legendary phrase about the gentlemen who are hiding behind her. She was applauded.

A heroine or a living legend?

Much has been said about the heroism of this woman. There is an opinion that her exploits are somewhat exaggerated. The country needs heroes. Real or fictional. But besides Lyudmila Pavlichenko, several hundred Soviet girls and women served at the front. Unlike the legendary sniper, they had the right to talk about what they experienced. But they said little. Talking about war is a man’s business.

A woman by nature is intended for the origin of life, but not for its destruction. But if it is necessary to protect her home and her children, she will take up arms. And she will learn to kill. But after that it will remain on her soul a heavy load, a bleeding wound. A woman who takes life is always scary. Even if this life belonged to the enemy, the fascist and the occupier. Indeed, the war does not have a female face ...

An essay on how war can affect a person’s fate can be written on the basis of fiction and historical literature. But it’s better to refer not to ambitious books about high-profile exploits, but to read the stories of ordinary eyewitnesses. They have less propaganda and more truth.

Truth and fiction

The stories are not about heroes and winners, but about ordinary people - this is the book “At the War - Not a Female Face”. The composition will become much more true if its theme is not the achievement of the legendary sniper, but the fate of ordinary women. Svetlana Aleksievich - the author who wrote about the woman in the war like no one else. She was accused of excessive naturalism and lack of patriotism. For her heroines, war is charred faces after shelling, wounds from bullets and fragments. These are boilers with steaming porridge, which no one has, because only seven out of a hundred people returned from the battle.

For Lyudmila Pavlichenko, war is only an implacable battle with a hated enemy. The memories of the Soviet sniper could not but be severely censored. And because in them only part of the truth. Believe more women from the book Aleksievich.

War is not only battles and victories. This is a lot of terrible and disgusting little things that add up to the overall picture, which only male eyes can bear. Nevertheless, the war does not have a female face ... An essay on Russian literature on a military theme should be as truthful and reliable as possible. The young author must know that war is a crime. She cripples, kills. And there are no winners in it.

I only saw melee ...

The World War II made her a poetess. An essay on the theme “Creativity of Yulia Drunina” should be written, after getting a closer look not only at her poems but also about her biography.

Since childhood, she dreamed of a feat. The desire to participate in the Great Victory drove her to the draft board already on June 22. She made her first steps at the front as a nurse. Then there was the Khabarovsk school of junior aviation specialists. And finally, the Belarusian Front.

In front of Yulia Drunina, young boys and girls died. Under shelling, in cold and mud, a seventeen-year-old girl from a Moscow intelligent family made her way with her fellow soldiers to the front line. She bandaged the wounded, went hungry, froze and saw corpses. And in the trenches she wrote poetry. “Frontline Poetry of Yulia Drunina” is an interesting topic that the composition should be dedicated to.

A man in a war becomes stronger, unprecedented resources open in him. But the experience remains in the soul forever.

Who says that it’s not scary in the war, he knows nothing about the war ...

From childhood to the horrors of war - a motive that sounds even in the later verses of Drunina. Frontal nostalgia did not leave her until the last days of her life. The war did not leave the poetess even in peacetime. There were horrors, but there was real friendship. There is no deception on the front line, no lies. And it is not easy for those who have been brought up at the front to live in a world where material values ​​are above all. Especially when it comes to women. It is more difficult for her to adapt and change her mind in a different way.

A terrible phenomenon that does not have a right to exist is a woman in war. An essay on the work of the poetess Julia Drunina should be based on this axiom. She lived for so long in her beautiful romantic world, and justified war horrors with such boundless love for her motherland, that when this motherland was gone, she was gone. The poetess tragically died in 1991.

And the dawns here are quiet ...

War is not a woman’s business ... A work on literature on this subject cannot be completed without reading the story of Boris Vasiliev. About how women, along with men, defended their homeland, this author was one of the first to say. Five lives were cut short before reaching the turn of 1945. They could give birth to children, and those to grandchildren, but the strings broke. Sergeant Vaskov was thinking about this when he was preparing a grave for one of them.

Vasiliev wrote many books about brave soldiers. The composition "Man in War" can be written on the example of one of them.

A wonderful, but, unfortunately, not devoid of ideological raid film, shot based on the story of Vasiliev in 1972, does not convey the thoughts of one of the heroines who came to her mind in the last moments of her life. In the wilds of the Karelian forests, leading the Germans behind her, she fled and thought, “How stupid to die at eighteen!” Even a heroic death to die for a person who is just starting his life’s journey is always stupid and monstrously ridiculous. Especially if this person is a woman.

Maternal field

An essay on the theme “Years of War” can tell not only about the exploits at the forefront. And the horrors of battles in it are not the main topic. There are worse things than bombs and shelling. The worst thing is the fate of the mother, who survived her sons. The story of Chingiz Aitmatov is dedicated to women who overcame all the hardships of the war - hunger, daily exhausting work - but did not wait for their children. Mother should not bury her son. She will not be able to reconcile with his death, no matter how valiant a feat he may have committed. Even if her son is a Hero of the Great Patriotic War. The composition of the work “Maternal Field” reveals the theme of the tragic fate of soldiers' mothers.

Came to Berlin to kill the war

These words were written on the wall of the Reichstag, Sofia Kuntsevich, a girl who carried over two hundred wounded from the battlefield. She and other women are devoted to the journalistic-artistic work of Svetlana Aleksievich.

This book is not about a big victory, but about little people. The author looked at the topic of war from a person who did not see it. She learned about her from the words of the front-line soldiers. The stories and confessions that are set forth in this work are pain and tears. And reading them, you see the true face of war. It is not female, and not male. It is generally inhuman.

However, there are lines in the book that prove that war cannot kill a woman. She cannot destroy in her the goodness and care laid down by nature.

German prisoners, starving, go through the Russian village. On the roads that they sought to burn for five years, wipe from the face of the earth. And the Russian peasant women go out to meet them and hold out bread, potatoes, everything that they have. In the present, they have a destroyed house, in the future - the poor post-war years. And life without men who did not return. But even this could not destroy the compassion in women's hearts.

The theme that should remain one of the most important in the school curriculum is the Great Patriotic War. Writing about women in war is a difficult creative task. Victory was achieved not only through masculine courage and courage. War does not spare anyone, and is always impartial. Humanity cannot get rid of it. It does not yet possess the necessary humanity and wisdom. But the fact that in war there is no place for a woman should be understood by every man from a young age.