Before the viewer is a Central Russian landscape, familiar to Russian people, where there are no special beauties of the southern stormy fragrant nature. Horse sorrel, burdocks, grass-murava, perhaps old willows and rare bushes in which the coronet-crow likes to sit, the sky changing color from dark to light, the absence of the sun - all this is painfully familiar. Almost everyone had the opportunity to walk in such meadows greening under frequent small rains. The composition of Vasilievâs painting âWet Meadowâ should also reflect personal memories of the landscapes seen.
Composition
The composition of the picture only at first glance seems simple and straightforward. But she is deeply thought out. Vertically, the picture is built on the principles of the golden section, so it looks so harmonious: one third is given to the bushes and the dark blue-lilac sky, and two-thirds to the green slope with hollow and water and light clouds that wait for the sun to glance for a while.
If you look at the composition horizontally, then it uses the same principle: two-thirds are given to the high sky, one-third is the greenery of the meadow. And at the intersection of horizontal and vertical lines there is a large tree, as if putting the final point. When writing an essay based on Vasilyevâs painting âWet Meadowâ, this knowledge cannot be neglected. So this discreet landscape is deeply worked out according to all the laws of harmony and this is already a fascinating sight.
Sky
It is the dominant. The sky is most compelling to draw attention to itself. The thundering clouds that are leaving and thickened near the horizon smoothly through the lighter, gray ones turn into layered clouds, golden from the rays of the sun hiding somewhere. High sky is written out carefully and with love. Tonal transitions and tone ratios are very complex, giving the impression of utter naturalness and naturalness. The composition based on Vasilyevâs painting âWet Meadowâ should give a detailed description of the sky. Not to be confused with crude naturalism! The sky is a special poem, a special song of an artist who cannot look at him. The sky lives its own separate life. Thunders of thunder still rattle far to the right, everything boils with a thunderstorm. But the warm colors on the left actively shift the thunderstorm, forcing it to leave. They also begin to be reflected in water, connecting the light of heaven and earth.
Landscape
The composition of Vasilievâs painting âWet Meadowâ should reveal all the colors of the landscape. The hilly greenish-blue landscape goes far to the horizon, revealing the breadth and vastness of the meadow, merging with the sky and being its continuation. And in front of the viewer, a close-up is given of either a road or a shallow with which the water left during the dry summer, not overgrown with grass. There are still deep shadows from the clouds, but there are few of them: the landscape as a whole brightens. Trees are still sloping away under the gusts of wind, and it seems that they can split in half. But in the foreground, everything is quiet. Itâs getting party. Wet grass, drunk with moisture, rests. Nothing shakes the grass. Complete silence. Such that if you get up and listen, it will respond with a special ringing. This completes the painting "Wet Meadow" by Vasiliev. The composition will describe the soft lines of the landscape, and the passing thunderstorm, and the silence that followed.
Plot
There are no monumental images in it. "Wet meadow" is depicted in soft lines. A variety of shades of grass, washed by rain from dust, plays in the light of the sky, and its greens are condensed in the shade. The flowing slopes of the slope, extending into the distance, to the bluish forest standing at the horizon. If you look closely, you can notice a slightly noticeable road. All details are intertwined, making up a single whole. Before writing an essay on Vasilyevâs painting âWet Meadowâ, Grade 8 should comprehend the simplicity of the plot, the touching nature of the landscape, and the subtleties of its execution.
Biography
Fedor Alexandrovich Vasiliev lived very little, only 22 years. He was born in Gatchina, where every corner is filled with high art, and since he had great abilities, he began to study in St. Petersburg. In the evenings, he worked part time - was engaged in the restoration of paintings. By the way, this business usually gives the artist a lot. After graduation, he traveled a lot around the country, became close friends with Shishkin, Kramskoy, Repin.
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He also visited the Volga, where he made many sketches, drawings, sketches. Everything went to the creative piggy bank. But at work in the open air, the artist seriously caught a cold. The continuation of the disease was consumption, at that time almost incurable. To maintain fading health, the artist leaves for the Crimea. Works not only in oil, but also in pencil, pastel, sepia. But the vibrant nature of Crimea does not inspire the artist as much as the native northern places. In Crimea, from the drafts and from memory, his masterpiece âWet Meadowâ was written. He worked hard, not sparing himself, and quickly burned out. So at twenty-two years, a great talent passed away. There was no man who had a special gift of a landscape painter.