Oleg Dal, whose biography interests many of his fans, was one of the most striking and controversial figures of Soviet theater and cinema. This man was very thin and vulnerable, even sometimes cocky. But much was forgiven to him: sharpness, maximalism, and sometimes drunkenness. He could start rehearsing, and then, deciding that the film or performance is not good enough, take and give up the role.
Others understood: he is not like everyone else. He has his own path, his own path, which constantly winds between heaven and hell. The famous actor Oleg Dal. Biography, personal life, career, everything that concerned this person, of course, has an incredibly bright character.
The decision to enter the theater, or speech impediment
The future artist was born in 1941 on May 25 in a Russian family. As a child, Oleg Ivanovich dreamed of being a pilot, but could not enter the Aviation Institute. And then he decided: since they don’t take on pilots, he will become an artist. When my parents found out about this, the scandal began. All my mother’s relatives are hereditary teachers and philologists. Oleg’s dad is a railway engineer, a party person.
How could they then have imagined what a famous artist Oleg Dal would become. Biography, nationality and other facts from the life of famous people are very often studied by specialists. And there is evidence that, according to some reports, Oleg Ivanovich is the great-grandson of the famous compiler of the dictionary. It is only natural that parents considered the scene a frivolous activity for their son.
In addition, Dahl had a speech impediment , he burred since childhood. But constantly tried to overcome it. He studied at the Central House of Children of Railway Workers in the studio of artistic words. As a result of this, his unusual manner of speech, the structure of phrases, and pauses was born. How, thinking a little, pronounces words, he was taught by a specialist. So the artist Oleg Dal is born, whose biography will now be associated only with theater and cinematic art.
Graduation and the beginning of the creative path
After graduating from the school named after Shchepkin Oleg Ivanovich falls into the "Contemporary". At that time, it was one of the most famous theaters in the country. Then it seemed that Dahl pulled out a lucky ticket. But work in the theater, unfortunately, does not work out. Oleg feels that he is capable of a lot, constantly waiting in the wings, but five long years have passed, and he did not have a single serious role in Sovremennik.
I had to learn only some hasty introductory roles, when in the morning the text was given, and by the evening a performance was staged on the stage. And not a single serious character. Thus, the actor over a long period has accumulated not only a huge amount of unspent energy, but also resentment. A very quick-tempered person was Oleg Dal. His biography includes many stories of his relatives and friends, which characterize him as a rather emotional person. The same thing happened this time, Oleg Ivanovich left the theater, slamming the door.
Salvation in the cinema
When there were no serious roles in the theater, cinema saved. Filming of the film "Zhenya, Zhenechka and Katyusha" began in 1966 in Peterhof. The center of the collective became two actors - Oleg Dal and Mikhail Mikhailovich Kokshenov. Both are young, ambitious and completely different. When they were together on the set and began to joke, none of those around could not help laughing.
Sometimes, after the end of the working day, the artists forgot to donate their ammunition to the costume designer. They are so used to fighting that they continued to play war even after the camera was already turned off. Mikhail Mikhailovich Kokshenov himself often recalls how they wandered around the city in uniform at that time and the patrol stopped them, asking where they came from.
Character problems, or Filming under police escort
But what was Oleg Dal really like? Biography, personal life, which tormented the actor - all this interested people only after his death. And then, on the set, Oleg Ivanovich - turned on, and nobody knows what is going on in his soul. Numerous problems that overwhelmed the soul of the actor began to be expressed in hard drinking. The director often deliberately puts his back to the camera. Oleg Ivanovich’s face swells from a drink on the eve, his eyes become cloudy. Nevertheless, everyone forgave him.
In the midst of filming, Oleg Dal went into a binge again. Moreover, he got into the police and got fifteen days for violating public order. Director Vladimir Motyl understood that shooting was at risk. In order not to disrupt the schedule, he agrees with the head of the police department and Oleg Ivanovich is brought to the site under guard, and again taken away in the evening.
That dialogue, when the hero Dalia Kolyshkin talked with Zhenechka, sitting on a guardhouse, was shot during this period. Perhaps that is why it was played so movingly and reliably. Such was the actor Oleg Dal. Biography, personal life, filmography of this man, of course, had a very bright character. And there is hardly a reader whom this personality will leave indifferent.
The end of the filming of a popular film, or How life turns into hell
Oleg Dal was not happy with much in the world around him, and he did not know who to express his displeasure with, and he was constantly nervous and startled from this. With rudeness, mediocrity and limitation, Oleg Ivanovich sorted out relations on his fists. I had to fight not only in life, but also on the screen. The most famous hand-to-hand scene in the film "Zhenya, Zhenechka and Katyusha" unfolded in the dugout.
Dahl this film brought unprecedented popularity. True, the artist did not have time to enjoy it. For thirty years this picture was banned. And the wording is quite simple. The film is immoral, and the main characters are drunkards and hooligans. After filming this movie, Dahl's life turned into hell.
All the country's film studios were forbidden to film this artist and generally forget who Oleg Dal is. His biography really contains information that at that time he was on the black list of objectionable artists. But times are changing, and today this film is shown for every Victory Day.
A new twist of fate, or an unspoken order of leadership
Dahl was universal. He could play Shadow in a children's fairy tale, create the image of a scout, a criminal recidivist and even a prince. Infinitely talented was Oleg Dal. The biography of this artist, starting in 1978, finally tells about some positive moments in his fate. This year, Eugene Tatarsky begins work on the film "The Journey of Prince Florizel." The director is sure that Oleg should play the main role in this film.
But to approve Dahl’s candidacy at the film studio was almost impossible. For all Mosfilm officials Oleg Ivanovich is a persona non grata. Too picky, moody, arrogant. Other actors are happy with any proposal, and Dahl refused to work with Kazakov, Ryazanov, Gaidai. At the end of the 1970s, an unwritten order of the leadership began to operate at the film studio, which stated: for three years Oleg Ivanovich Dahl should not be removed anywhere.
Director persistence and filming start
Tatarsky refused to work without Dahl. As a result, the director was given the go-ahead, but warned that Oleg Ivanovich was an uncontrollable artist, inadequate and heavily drinker. The scandal erupted on the first shooting day during the fitting of the costume. In order to seat the suit-matched jacket on the Dahl figure, the suit was chopped off with pins on the back.
For Oleg Ivanovich, who used to look great, it was a shock. And he refused to play in an old, inappropriate suit. Dahl believed that the prince should look like that the audience, seeing him on television, tomorrow began to dress like he did. So Prince Florizel on the screen becomes the height of elegance, and Oleg Dal on the set - the pinnacle of professionalism. Everyone who starred next to him knew that the actor was constantly improvising. He is an unpredictable artist.
Filming ended in 1979. Spectators saw the picture two years later. Finally, Dahl was happy. At that time, Mosfilm had five paintings with his participation, and everything was banned. He understood: the fact that Florisel came out is a miracle. Television, radio and newspapers attacked Oleg Ivanovich, he liked it. He was very pleased to give the interview. And journalists were interested in absolutely everything. What is he - Oleg Dal, biography, personal life, children and future plans in cinema.
Nice appearance and unbearable character
Eyes, smile, strong-willed gait, unique way of speaking. All this attracted the girls like a magnet. On the set, half of the group fell in love with him, from dressers to actresses themselves. Fans on the street did not give Oleg a pass. So who was the lucky one that Oleg Dal chose? Biography, family, children - this is all that is always of interest to many fans of the talent of his beloved actor.
Many loved Oleg Ivanovich Dahl, but he could not find his other half for a long time. The personal life of the artist did not add up. The affair with actress Nina Doroshina ended right at the wedding. With his second wife, actress Tatyana Lavrova, Dahl lived a little more than six months. It was almost impossible to make Oleg’s character.
Oleg Dal: biography, wife, or In search of personal happiness
It seemed that Dahl had no chance of personal happiness. But on the set of King Lear, a meeting took place that changed his whole life. On August 19, 1969, Oleg Ivanovich met Lisa Eichenbaum. She worked as a film editor. And soon they got married. Introducing her to his colleagues, Dahl always spoke proudly and significantly.
Elizabeth was also very kind to her husband. She always made sure that he was not tired, hungry or cold. Oleg Ivanovich always took his wife with him to the shooting. This relationship was very tender. This woman was the only one who could find an approach to a talented actor with an unbearable character.
Another unfulfilled hope
Good artists are often compared to children. In the case of Oleg Ivanovich, this is the best definition. After all, replaying Dahl, like replaying a child, was almost impossible. The film "Vacation in September" was started in 1977. When Dahl learned that Lenfilm was preparing this film based on Vampilov’s play “Duck Hunt”, he immediately realized that he would be offered the main role. Naturally, I was waiting for a call.
With the approval of the roles Melnikov pulled to the last. When permission to shoot was received, he called Oleg Dal. The actor worked in this film selflessly, and this became one of his best roles. However, the finished painting was not allowed for rent, it was called decadent and put on a shelf for eight years. Another shock that Oleg Dal experienced.
The biography, the cause of the death of a favorite actor is always of interest to many admirers of the talents of Soviet cinema. And very often you can find in the fates of artists of that generation such a dismissive attitude of officials towards their talent. Of course, this always negatively affected not only the psychological state of the actors, but also often undermined their health. The premiere of the film "Vacation in September" took place only in 1987, when Oleg Ivanovich was no longer alive.
The last days of the artist
What else interests those who know and love such an artist as Oleg Dal? Biography, cause of death and events preceding his death. "An Uninvited Friend" is the last work of Oleg Ivanovich. During the filming, Vladimir Vysotsky passes away. For Dahl, it became a sign. He understood that with Vladimir Semenovich they were on the same road. Together they worked on the set of the film “Bad and Good Man,” even then Vysotsky repeatedly warned Oleg Ivanovich against frequent drinking.
In 1981, Oleg Dal was offered to star in a lyrical comedy. He is going to Kiev. On the eve of their departure, they had their last conversation with Yevgeny Tatarsky, in which Oleg Ivanovich mentioned how often he dreams of Vladimir Vysotsky and calls to himself. On March 1, Dahl left for the capital of Ukraine, and already on the 3rd of that same month he was gone.
They say that a candle cannot be lit from two ends. She then ends too quickly. Oleg Ivanovich fired his candle mercilessly and did it consciously. He tore his heart apart, and it could not stand it. Oleg Dal passed away. Biography, children that could have appeared in this wonderful person, further creativity and much more that Oleg Ivanovich was capable of, as if frozen in this moment. He passed away at thirty-nine, but for those who were close to him, who were watching films with his participation, he is still alive today.