Andrey Tashkov is the son of famous parents. And therefore, going on stage or being in front of the camera lens, he worried for many years that he would be a constant object of comparison. But Andrei Tashkov, which will be discussed later, is a self-sufficient figure in Russian cinema. His roles are so diverse and interesting that they can cause envy among colleagues in the workshop.
Children's years and the beginning of the creative path
Andryusha Tashkov was born in a creative family on July 30, 1957. His father is the famous film director Evgeny Tashkov, and his mother is the popular Soviet actress Ekaterina Savinova (remember that naive sweet girl Frosy Burlakova?).
After graduating from the Theater School in 1978 Schukin, he goes to work in the Maly Theater, and after this changes several more jobs. Just a few theater seasons, Andrei decides to end his theatrical career. Now he dreams of cinema. Andrei Tashkov explained the reason for leaving the theater very simply: he left due to low wages, huge employment and a fairly low level of performances. And he was already familiar with the cinema. Tashkov starred in a small episode in his father's film "Children of Vanyushin." So he had some idea of the world of cinema.
Soviet cinema period
The actor brought a certain fame and recognition to the action-packed picture Detective. Director Vladimir Fokin suggested Tashkov to play the main role. The character of Andrei Evgenievich was a quiet, modest young policeman Evgeni Kulik. He dreams of a real serious matter that he could investigate. It all starts with a simple theft case. And a little later, Zhenya wins in a duel with a seasoned bandit.
1983 is coming, when actor Andrei Tashkov once again starred in the picture of his father. Now it was a serious work - an adaptation of Dostoevsky’s novel “The Teenager”. The premiere of the film was a great success. The film was a resounding success. Tashkov was very talented at creating the image of the naive, gullible, principled young man Arkady Dolgoruky, who was forced to plunge into the swamp of gossip, low betrayals and intrigues by the will of fate.
After that, the actor did not star in his father’s paintings for several years. And still considers this to be the absolutely correct decision. He is sure that if you work with a loved one, with a relative, it is quite possible to spoil even the best, strongest relationships. After all, in ordinary life, you can close your eyes to some flaws. And on the contrary, the most positive traits are embellished and enhanced. And for serious work, for its good result, love for a loved one must first be eradicated, destroyed. After finishing work, you can revive it again. And this process is psychologically very complex.
New roles
In those years, Tashkova had a lot of notable works: Yuri Kolganov in the crime drama "Lawlessness", clerk Karkunova Erast in the drama "Heart is not a stone" and others. An important place here is occupied by the detective Lawyer. In this four-part film, Tashkov played the lawyer Pavel Arkadyevich Beshmetiev, a strict, but understanding, principled and intelligent person. He makes a lot of efforts to get the unjustly convicted guy out of jail. The police do not want to fool themselves and carefully examine the case file. It was not enough for the guards to look for a real killer, and the guy was at hand. Beshmetyev argues that he is innocent.
Russian cinema period
Andrei Tashkov did not go overboard with the advent of the new Russian cinema. He starred in many films and TV shows of a very different direction, trying on sometimes even unusual images. But, according to the actor, the more interesting the work. The Soviet audience is already used to seeing him in the roles of intelligent, wise, thoughtful heroes. Therefore, it’s somehow unusual when you realize that in the next picture, Andrei Tashkov, whose biography is interested in fans of his talent, plays the roles of bandits, maniac killers or ghouls. Yes, in modern cinema there are also such characters!
But without serious roles, Tashkov did not remain at this time. After a long enough break, he again came to the set to his father. And again, Fedor Mikhailovich Dostoevsky, whose role was embodied on the screen by Andrey Evgenievich in the biographical film "Three Women of Dostoevsky" (2010). And with the director Vladimir Mirzoyev, he generally appeared before the audience in the image of the Patriarch.
In addition to interesting shootings, over the past years Tashkov has duplicated and voiced films.
Family hearth
Far from cloudless, Andrei Tashkov was happy in his relationship with the fair sex. His personal life did not always succeed. He tried to create a strong family, but his marriages fell apart like house of cards. The first two marriages were not very long - a year and six years. Andrei Tashkov even managed to become a father. But even this did not deter him from a divorce. The third marriage was concluded with an actress, a colleague on the workshop Elena Skorokhodova. They met when both already had the experience of a previous family life. They both wanted this marriage to be the last. Elena's parents fell in love with her husband, and she herself was going to live with him until the end of her life. But...
Returning to the bachelor’s home, Tashkov pleased himself with friendly drinking parties. True, he remained in a warm relationship with Elena. Yes, and I saw my son.
Another romance happened with actress Elena Koreneva. Despite the fact that he was somewhat younger than her, the couple lived together for five years. And again it did not work out. Andrei Evgenievich himself said that he was much more comfortable coming to an empty apartment. So he feels much calmer.