Cameraman Vyacheslav Lisnevsky - a true virtuoso of modern cinema

There are individuals endowed with an enviable talent, but not having the ability to realize themselves. Fortunately, Vyacheslav Lisnevsky avoided such a sad fate. He made his profession a vocation, and now perfectly knows the skills of underwater shooting, the principles of creating action scenes, and the stylization of “numbers” for film. The operator does not have difficulties taking photographs from a lower angle and the complexity of filling out general plans; it is not for nothing that he is currently one of the most popular domestic artisans.

Vyacheslav Lisnevsky

Biographical facts

Vyacheslav Lisnevsky was born at the end of January 1983 in the Tyumen outback, in the urban-type settlement of Gaz-Sale. There he spent his childhood and early youth. After graduating from a local high school, young Vyacheslav enters the Moscow Academy of Education Natalya Nesterova in the specialty “Directing Film and Television”. Mentors A. Vysotsky and E. Tsyplakova teach him the tricks of working in the cinema. In 2000, he completed his education and worked in the domestic film industry as a filmmaker and director of photography. As an operator, Vyacheslav Lisnevsky participated in the creation of the following paintings: “Spiral”, “Friends of Friends”, “Man with a Guarantee”, “Retribution”, “Mediator”, etc.

The filmmaker skillfully hides the vicissitudes of his personal life from the public. For a long time it was believed that the biography of Vyacheslav Lisnevsky was replenished with a significant stage - the entry into legal marriage with actress Svetlana Ivanova. However, as it turned out, the couple had been together for a long time, but did not legitimize their relationship. And a beautiful ceremony in the Maldives was positioned by lovers as a party, a source of excellent photo shoot and beautiful memories.

Vyacheslav Lisnevsky photo

Technical preferences

It so happened that Vyacheslav Lisnevsky finished his studies at the institute just at the time when all filmmakers completely stopped using film in their work. To keep up with the times, the operator was forced to shoot on the first digital cameras, which were distinguished by sharp contrast and the "plane" of the image. The visionary did not come to terms with the results and began to search for shooting methods that would make it possible to get as close as possible to the plastic film.

His efforts were crowned with success. Now in his work, Lisnevsky uses smoke, which draws space, refracts light. Most of the frames he creates with an open aperture, blurring the background and so achieving plasticity. Another author’s find, the operator considers soft light reflected in deep shadows and, of course, FilmConvert, which allows you to balance the color scheme. Sometimes he intentionally accentuates brightness to convey the inner world of the character of the project.

Vyacheslav Lisnevsky biography

Features of creative writing

For maximum approximation to the chronicle, the master uses telephoto lenses, as a result the effect of television cameras is obtained. This allows you to achieve a harmonious combination of artistic photography and real chronicles, which gives a documentary credibility while watching the finished tape, the viewer receives a significant charge from the effect of presence. Also, one of the advantages of the operator is the ability to shoot a general plan that requires saturation.

In addition to the technical features and tricks of the filming process, Vyacheslav is concerned about the team with which he has to work. He prefers a compact team of like-minded people who work efficiently and creatively. Lisnevsky is comfortable with adequate professionals who have a good sense of taste.

A special place in the work

Vyacheslav Lisnevsky himself, whose photo increasingly adorns the editorials of the media, singles out the film “Champions: Faster. Above. Stronger". He calls it the first project that he recommends viewing in a movie theater. Work on the picture allowed the operator to improve their skills, hone techniques, methods of camera movement, allowing to achieve the scale of what is happening. Earlier in his work, he did not use it, but now he is ready to realize the knowledge gained in a new project.


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