Human sketches occupy the first positions in importance in artistic practice among all types of quick drawing. Sketch training takes up the bulk of the overall process of studying academic drawing. It is aimed at solving several problems in creating a full-fledged drawing of a person’s figure and, separately, his head. You can also gradually study the living form and expand your horizons thanks to this technique. So how to draw a sketch of a person?
Head
Mastering the sketching technique helps to learn to choose and display on paper the most characteristic and typical features of the object of contemplation, thus conveying the deep content of nature.
A sketch of a person’s head, performed from nature, is obliged to convey movement and proportions. Drawing from a photograph can only be done under the guidance of an experienced teacher. Therefore, sketching a person’s face with a pencil in the early stages of training is recommended from a living figure, thus, the ratio of the parts of the face and head is respected.
Getting started, position selection
The small size of the sketch helps to develop a sense of proportions and scales, training to determine the proportions of the human body.
Work on a sketch of the figure takes place in a relaxed home environment as part of the process of creating an educational drawing. Before proceeding to the voluminous task, it is worth making a sketch to familiarize yourself with the shape or figure. At the end, again sketch the person to secure.
If some parts of the form are not visible from your viewing point, change the location and perform additional sketches. Sketch a person in profile, in front, and so on. The final drawing should gain excellent brevity and confidence in the image of nature. After some time, perform a sketch from memory, thereby reinforcing the knowledge gained.
Such classes must be carried out when getting acquainted with a human figure. This contributes to the development of a constructive look at the figure and the embodiment of the previously obtained anatomical foundations.
Sketch of a man in simple poses
It is necessary to start working with sketches by sketching a person in full growth, standing in a simple pose with a clear position of the body. The sketch takes from 15 to 20 minutes. Try to familiarize yourself with the pose by sketching from different locations relative to nature.
In the figure figure, it is important to start by determining the ratio of the body mass to the plane of the legs. To do this, imagine the vertical from the inner ankle, which accounts for the entire load, up. It determines the position of the remaining components of the figure.
Sitting man
A sketch of a seated human figure requires determining the ratio of the supporting plane and the direction of the body, that is, the pelvic plus the femoral part and the torso. Remember to schedule a seat.
It is necessary to take into account the fact that the legs inevitably contract if the figure in the figure is half-turned or in full view.
Do not forget that, despite the general physiological structure, the features of the figure are unique and are present in each case. They must be shown in the figure. The degree of completeness of a drawing depends on its purpose, but the most important thing is to display the essential in kind.
The clothes in the sketch are displayed generically, and only those that emphasize shape or movement are transferred folds. The integrity of the figure and the figure is above all, but the whole nature must be perceived.
Nude
Nudity is drawn indoors in a sketch along the way with a full-fledged drawing. Such sketches on their own are easily feasible on the beach or in sports, while the speed of switching positions in such situations improves the generalization of vision.
A sketch of a nude person should begin with the definition of supporting places and proportions. Pay attention to the joints of the ankle and knee, as well as the wrists, elbow and shoulder, pubis, navel, breast nipples and the jugular fossa. Look for an internal relationship in the ratio, not clipping points in a mechanical process.
It is important not to connect your vision with relative edge points, but to focus on strong points. To understand the plastic nature of the posture, it is necessary to understand the ratio of the horizontal lines of the shoulder and pelvic girdle. If the figure stands, leaning on two legs, then the line of the pelvis is almost parallel to the floor, and if one leg is free of weight, then the pelvis is leaning in her direction.
If placed in front of nature, define the midline. From the back, use the vertical spine, its mobility determines the position of the pelvic and shoulder girdles in different positions.
Further sketches are made without the use of auxiliary methods in the construction of the figure. A sketch of a person should confidently and freely translate nature.
The study time does not give a chance to study the plastic positions of the human figure by creating a long drawing. This problem is solved by additional independent lessons on drafts. Skills worked out in the above way will help to build plot compositions with the inclusion of a person.
After exercises with simple postures, you should start classes with a naked male figure in a turn.
Difficult positions, perspective
It is important to work out sketches of nature in complicated turns, tracking the midline of the torso from the pubis to the head in a bend. Drawing back provides attention to the spine.
Sketches of nudity in difficult positions are aimed at consolidating knowledge about the transfer of promising cuts in a live form. It should be borne in mind that far-reaching surfaces are greatly reduced, and frontally located planes are displayed in full size. The prospective reduction of living nature is based on the rules of building perspectives for simple geometric bodies.
The nature for such sketches is located in a reclining position obliquely to the artist, and the direction of the form goes deep. Adequate removal of nature from the artist contributes to the creation of the correct proportions, otherwise they may be distorted. Such sketches should show the design and harmony of the main forms, which are located in different angles relative to you.
It is necessary to test the sketch of a naked man in active movement, for example, during a load lifting or the like. These sketches convey the relationship between the supporting plane and the torso, as well as the tension in the muscles involved.
The staging of two male figures should be based on a plastic relationship.
Conclusion
Draw in every free minute, practice sketching the human body in a variety of poses and activities. For example, sketches of people at work should convey the characteristics of the profession or work process. Graphic means should even reflect the attitude of the worker to his work through the brevity and parsimony of drawing. So now you know how to sketch a person. Good luck in your work!