Diana - Countess de Belflor, Dona Marta, Milady de Winter ... This is not a complete list of works by the brilliant actress of the second half of the 20th century, Margarita Terekhova. A born Siberian, Margarita moved to Tashkent with her parents in childhood. At school, the girl studied perfectly and after graduation received a gold medal. Then there were two long student years at Tashkent University, at the Faculty of Physics and Mathematics. It would seem that the biography of Margarita Terekhova was built in the best way, but in fact the future actress was burdened with the study of exact sciences and in 1961 left her studies at the university without regret.
After some time, Margarita went to Moscow in the hope of entering a theater university. However, she had to be content with the Studio School at the Mossovet Theater. However, the biography of Margarita Terekhova as an actress has already begun its countdown. The young beautiful Terekhova selflessly studied the intricacies of acting, studying theories of Stanislavsky with unprecedented tenacity and dreaming of someday applying them in her work in the field of theater. Her determination was the envy of her classmates, the whole school studio gasped when Margarita cut her long braid, explaining this act by the lack of time for combing her hair.
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In 1964, Margarita Terekhova’s biography was replenished with a new page: the actress graduated from the training course and joined the troupe of the Mossovet Theater as a young actress. Terekhova was trusted with the main roles, the cast was respected by her, the creative atmosphere in the theater with her arrival improved markedly. However, like any self-respecting theater actress, Margarita Terekhova (whose biography, it seemed, was still not sufficiently informative) looked towards the cinema. She wanted to act, play interesting characters, be a sought-after professional artist. The creative aspirations of the ambitious actress were rewarded: in 1965, she began acting in films.
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The first paintings with the participation of Margarita were serious, deep work, but the soul of the artist demanded a very personal, integral image in which one could fully open up and show all her skills. And such work appeared to Margarita in the person of Andrei Tarkovsky, who offered her a role in the film "Mirror". The role was twofold: Terekhova was to play mother Mary - the image is largely symbolic - and the wife of the main character of the film - Natalia. Margarita brought her vision of the plot into the picture, made Tarkovsky several proposals that he accepted. A grateful atmosphere reigned on the set of “Mirror”, each shooting day was riddled with complete mutual understanding, everyone worked tirelessly in anticipation of amazing results. And they happened, the film "Mirror" made a splash as soon as it was released.
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In 1966, changes took place in the personal life of the actress, and the biography of Margarita Terekhova received several new pages. A popular artist met with Bulgarian singer Savva Khashimov, who was married at that time. But you can’t order the heart: young people began to live together, their daughter was born. However, the marriage was doomed from the very beginning, and after a year and a half, the couple successfully separated. In the future, actress Margarita Terekhova, whose biography does not contain data on any attempts to create a new family, completely surrendered to the creativity in which she excelled. And she successfully realized her female essence in the role of a noble Neapolitan, Countess Diana, in the film "Dog in the Hay."