Isakova Victoria is familiar to Russian viewers by her many roles in domestic TV shows. The actress has a memorable appearance and, no doubt, copes well with her roles. Let's remember her best film works.
Victoria Isakova, filmography. The Piranha Hunt
Andrei Kavun’s action movie “Piranha Hunt” immediately cuts into the memory of the viewer: good cast, dynamic plot, spectacular full-scale shooting. Isakova Victoria in this film played by no means an easy role: her heroine - Sinilga - is a degrading personality, takes drugs and indulges in very dubious pleasures along with her friend psychopath Prokhor (Evgeni Mironov).
Sinilga is part of a fun company that hunts living people in the taiga. The role of one of these living “targets” was played by Vladimir Mashkov. During one of the battles, Sinilga dies.
In the film “Piranha Hunt”, Isakova is not like herself: a pale, sickly face and snow-white pigtails. But with the role of a half-crazy drug addict, the actress coped well.
TV series "Tower"
Isakova Victoria knows how to choose interesting roles in the movie. On her account - participation in another exciting project - the mystical series "Tower".
In the story, the heroine of Isakova - a pregnant Eva - is locked in a fashionable building called the Tower, along with several strangers to her. Isolated from the whole world, the heroes of the series are faced with the fact that a phantasmagoric space has formed around them, in which time does not flow as usual. Moreover, people locked in a tower have absolutely no idea how to get out of it. The only thing that unites all hermits is that in the past they were somehow connected with the creator and designer of the building.
This time, Victoria Kostolevsky, Vitaliy Kishchenko, Evgeny Osipova, Chulpan Khamatova and Agniya Kuznetsova became partners on the stage of Victoria .
"Mirrors"
Isakova Victoria in the 2013 film "Mirrors" played the role of the famous poetess Marina Tsvetaeva. This is the first biographical film that was dedicated to the life of this outstanding woman.
The painting covers the period of Tsvetaeva's life when she was passionate about Sergey Efron. Novella for the novella, the director of the picture Marina Migunova shows the days of their first meeting in Koktebel, then the revolution, the emigration of the poetess to Paris and Prague, her return to the Soviet Union. And, of course, that episode of life when she receives the news of the death of her beloved man.
Perhaps between Victoria and Tsvetaeva there is something in common in character and temperament, because this role can rightfully be considered one of the best in Isakova's filmography.
"Thaw"
Victoria Isakova, whose photo has often appeared in magazines for some time, was noted in yet another sensational film - The Thaw. The director of the picture was Valery Todorovsky. In the filming, such stars of Russian cinema as Yevgeny Tsyganov, Mikhail Efremov, Anna Chipovskaya were occupied. The music for the series was written by Konstantin Meladze.
In the center of the dynamically developing plot is the Soviet era of the 60s and the life that the acting and directing intelligentsia lived. Victoria Isakova played the role of actress Inga Khrustaleva, a thirty-year-old woman who seemed to have a successful career, but a complete failure in her personal life. Khrustaleva is trying to hold the blow and remain cold-blooded, but the role of the bitch is not very successful.
"Homeland"
The thriller "Homeland" was filmed based on the Israeli TV series "Prisoners of War". Victoria Isakova again shines in the frame, paired with Vladimir Mashkov.
The heroine of Isakova is Anna Zimina, who works as an expert analyst in the FSB and tries to expose the hero Mashkov in connection with the terrorists. This fight ends deplorably for the woman: although she was right in her suspicions, Bragin (Vladimir Mashkov) at the last moment changes her mind to commit a terrorist attack, so for all those around Zimin she remains only crazy, who exceeded her authority and slandered the hero of Russia. At the end of the film, Zimina herself does not understand where reality is and where her imagination is, so she voluntarily goes to a psychiatric clinic and gives consent to electroshock treatment.