Comedy tomorrow’s comedy melodrama "Come Tomorrow", whose actors and roles delight half a century later, is no coincidence called the classics of Soviet cinema. The film was released in 1962, but does not cease to amaze with the inexhaustible talent of professionals who were able to masterfully convey the basics of the Russian worldview, sincerity, immediacy, love and kindness. This is, first of all, the merit of the scriptwriter and director E.I. Tashkova and his wife E.F. Savinova, who included some autobiographical facts of the actress in the plot narrative. The talent of comedian Savinova is immeasurable, she was deservedly called the discovery of Soviet cinema in the world, in the memory of the initiates she remained the standard of giftedness and mastery of reincarnation. What is the genre policy of the film “Come Tomorrow”, actors and roles, who sings of them yourself, who is the composer, who is the director, what is the story underlying the plot - this article will tell about all this.
Actors - the legend of Soviet cinema
The Soviet audience, not yet tempted by Hollywood masterpieces, did not see a single flaw in the film, everything was close to him, everything was to his liking and liking: the development of the plot narrative, expertly described by Tashkov, and the cast: Yuri Belov (student Volodya “Nemirovich-Danchenko ") And Alexander Shirvindt (student Vadim" Stanislavsky "), who sparkle with the splendor of youth, absolutely, as well as the charm, vocal potential of the main character Frosi Burlakova (E. Savina). In the film “Come Tomorrow,” the actors and roles were selected very carefully, including minor characters. Particularly vivid images were created: A. Maksimova - Natasha (Nikolai's beloved), N. Zhivotova - Maria Semyonovna (Nikolai's housekeeper, voiced by E. Savinova), B. Bibikova - Professor A. A. Sokolov and B. Kokovkin - Denis Ivanovich , strict but understanding director of the institute.
Renaissance girl
“Come Tomorrow” is a film that managed to climb one level with the film “Funny Guys” with the film legend Lyubov Orlova in the title role. The heroines of both films (Anyuta and Frosya) are “hidden from worldly” talents, but the fate of the girls is somewhat different. Frosya is a true unique of the Renaissance, she has both an idea and a thought an order of magnitude higher than selfish motives and material wealth. She is not only able to appreciate the bewitching beauty of art, the girl sincerely strives for continuous self-development.
Two storylines
“Come tomorrow” is a film that sparkles with irony and humor, which does not detract from its moral background. The film makes you think about so many exciting life issues and values. It is based on the story of the girl Frosi, who comes to “conquer” Moscow from the Siberian hinterland. The heroine wants to go to college. Gnesins to become a famous singer. In the capital, she stops at a completely unfamiliar person - Nikolai Vasilievich (Anatoly Papanov, voiced by Evgeny Tashkov), with whom the supply manager from her school spoke six years ago. Such is the brief retelling of the plot of the film “Come Tomorrow”, the actors and the roles they played in the film turned out to be quite characteristic for their time.
In the picture, two storylines develop in parallel: the main character Frosy Burlakova and the sculptor Nikolai Vasilievich. The first meeting of the main characters is not at all smooth. Nikolai meets the girl rather skeptically, because he does not believe that such a young and uneducated person will be able to achieve anything in life. But closer to the climax of the picture “Come Tomorrow” it becomes noticeable how he changes his position and even his attitude to life and work. Frosi's thin love line with Bones (Yuri Gorobets, voice acting by Yuri Sarantsev), which makes the climax sad, is not entirely clear. The finale of the tape vaguely resembles the act of “sacrifice”, during which the victim is placed on the embrasure-altar of success.
Relevance today
Comedy melodrama "Come Tomorrow", the actors and the roles of which the audience remembered for a long time, are quite instructive, moderately naive and still relevant, even in our chaotic modernity. In 2012, the picture exceeded an impressive date - half a century, but its age absolutely does not affect the perception of the topics covered in the film. This is one of the favorite films of millions of admirers of Russian cinema, occupying an appropriate place in the gold cinema fund of Russian cinema.