This material will describe the painting "Tea drinking in Mytishchi." Photos of the canvas are attached to this article. The work is done in oil on canvas, the size of which is 43.5 x 47.3 cm.
Scene
The painting "Tea drinking in Mytishchi" is full of nuances, little things and details. There is nothing accidental on this canvas. The scene is also warranted. Mytishchi water was recognized as the most delicious in those days. In addition, tea drinking in this area near Moscow was very popular. The viewer is shown a trivial summer scene. The monk in this case, most likely, the abbot, is drinking tea in the shade of a garden near Moscow. Suddenly a pair of beggars appeared in front of him: a guide boy and a blind old soldier.
Contrasts
The painting "Tea drinking in Mytishchi", among other characters, shows the viewer a servant. She is concerned about the appearance of beggars and is trying to drive them away. The protagonist pretends that what is happening to him does not apply at all. They can talk about a lot of the order, which are visible on the coat of a soldier, pretty worn out. The boy’s shirt is torn off. The monk's face is glossy and red. In the background is a fussy, hasty figure belonging to the novice of the monastery. A visitor’s opened bag is also visible who is ready to accept gifts. There are a lot of other equally interesting details on the canvas.
Writing Conditions and Features
The painting "Tea drinking in Mytishchi" clearly has a satirical connotation. At the same time, it was created by order of the city government. However, such a frankly anticlerical work was never accepted. The painting is designed mainly in inexpressive colors. The author - Vasily Grigorievich Perov - here refused a rich palette. Gray-greenish tones are used to convey the usualness of the situation and its vitality. The composition of the picture is also interesting. The master decided to draw the attention of the viewer to various opposed elements. The soldier’s exhaustion and the monk’s satiety, a tattered shirt and the cleanliness of incredibly expensive boots polished to a mirror shine are clearly visible. It is important to note that the hand that the guest reaches for alms is directed to the void.
Condemning the spiritual emptiness, gluttony and hypocrisy of churchmen, the author is fully on the side of the offended and unfortunate. In this work, the artist perfectly conveyed the atmosphere of awkwardness that arose in the described situation. The servant who serves the guest tries to look exclusively to the side, is ashamed, and also feels awkward. The composition is in a circle created by the trees of the garden. From the perspectives of the characters, as well as in the manner of writing, the irony of the author, sarcasm and satire are visible. It is no accident that the artist during the indicated creative period had numerous troubles that were associated with the assessment of the Holy Synod of a number of works by the master. All of them have an anticlerical orientation.
The painting "Tea Party in Mytishchi": Kustodiev, photos of paintings and comparison with Perov
There is another Russian artist who devoted one of his works to a similar topic, although a completely different mood reigns in it. The masters are called
Boris Kustodiev, and his work is called “On the Terrace”. This work is sometimes confused with Tea Party in Mytishchi. Here, the viewer sees a wonderful summer day and the family, which is located on the terrace. Heroes are drinking tea. The central place on the table is a samovar. It is polished to a shine. Around are sweets, cookies and apples. A friendly and large family settled down at the table. Now you know what is depicted in the work “On the Terrace”, as well as what the painting “Tea drinking in Mytishchi” is dedicated to. Photos of both canvases are attached to this material.